HOW TO SING PLAIN CHANT - online book

Chiefly for the use of 'Dominican Choirs - A compilation of the practical rules and methods for performce of this ancient form of Church Music

By Fr. James Harrison, O.P, Published By St Dominic's Press, Sussex 1920

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About This Book

THIS is not a treatise on Plain Chant, but a compilation of practical definitions and rules which, if rightly understood and faithfully followed,will enable a choir to render well the beautiful melodies of the ancient chant of the Church. But, however well the theory of the chant and the rules of its interpretation may be known, it will not be possible for any choir to obtain really good results, un­less there be held regular and fairly fre­quent practices. And if it be felt that all these rules and practices are too much of a burden and an ever recurring impediment to the freedom of devotion, let it be well borne in mind that the Divine Office is primarily ^.public act of Divine Worships and that consequently private devotion, though by no means a negligible matter, should nevertheless be subordinated to whatsoever the perfect performance of the public act may demand. In point of fact this should not be found too exacting. In this collection of rules and definitions there is nothing, it is hoped, which is con­trary to the Regulae Cantus to be found in ourDomimcan Processionarium. (1913 ed.) The author takes this opportunity of expressing his gratitude to Father Clement Donovan, O.P., of the United States Province, for his great kindness in giving much valuable help andfor revising the manuscript.

 

HOW TO SING PLAINCHANT, Index Page
Deduct 100 from the numbers show to get the original page numbers from the book.
Title Page
CONTENTS
Contributors
PREFACE
PREFACE
CHAPTER I. NOTATION - 0105
Page - 0106
7 TYPES OF SINGLE NOTES - 0107
clivis, the top note of which is sung first - 0108
ancus,or climacus liquescens - 0109
SCANDICUS FLEXUS: - 0110
SYLLABIC AND NEUMATIC CHANT - 0111
ACCIDENTALS - 0112
Page - 0113
Page - 0114
THE MODES OR TONES - 0115
Page - 0116
Page - 0117
Page - 0118
RHYTHM - 0119
Page - 0120
Page - 0121
Page - 0122
Page - 0123
LENGTH, PAUSES, EXPRESSION - 0124
Page - 0125
Page - 0126
Page - 0127
Page - 0128
Page - 0129
Page - 0130
LIQUESCENT NEUMS - 0131
PRONUNCIATION OF LATIN- 0132
Page - 0133
Page - 0134
Page - 0135
PSALMODY - 0136
Page - 0137
FIRST TONE - 0138
Page - 0139
Page - 0140
Page - 0141
Page - 0142
Page - 0143
THIRD TONE - 0144
Page - 0145
MEDIATION begins on the penultimate accent - 0146
EXCEPTIONS - 0147
Page - 0148
Page - 0149
MEDIATION, for both methods, begins generally two syllables - 0150
FIRST METHOD - 0151
TERMINATION of the first method - 0152
Page - 0153
The MEDIATION begins on the last accent - 0154
The MEDIATION of this tone is exactly the same as that of the first tone - 0155
Page - 0156
Page - 0157
Page - 0158
Page - 0159
Page - 0160
Page - 0161
Page - 0162
TONUS PEREGRINUS - 0163
Page - 0164
VARIA - 0165
Manner of singing PRATERS at Vespers Lauds, and Mass - 0166
Page - 0167
Manner of singing PRATERS at all other times - 0168
Page - 0169
Page - 0170
Page - 0171
Page - 0172
Manner of singing the EPISTLE. - 0173
Page - 0174
Page - 0175
Page - 0176
Page - 0177
Page - 0178
Page - 0179
Page - 0180
Page - 0181
ACCOMPANIMENT - 0182
Page - 0183
APPENDIX - 0184
Page - 0185
BIBLIOGRAPHY I - 0186
Page - 0187